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Conferences

Organisation of International Conferences

  • programme chair of the online conference Redefining Theatre: Theatre and Society in Transition, 28 –29 May 2021, Institute for Theatre Studies, Freie Universität Berlin, Germany

  • programme chair of the 8th International Conference of Doctoral Studies in Theatre Practice and Theory Politics and Community Engagement in Doctoral Theatre Research, 3–4 November 2017,the JAMU Theatre Faculty, Brno, Czech Republic

  • programme chair of the 7th International Conference of Doctoral Studies in Theatre Practice and Theory Current Challenges in Doctoral Theatre Research, 20–21 November 2015,the JAMU Theatre Faculty, Brno, Czech Republic

  • scientific secretary and the main organizing manager of the international conference Aktuální otázky analýzy inscenace/představení – Current Issues in Performance Analysis, 21–22 November 2014,the JAMU Theatre Faculty, Brno, Czech Republic

  • member of the programme committee of the 6th and 5th International Conference of Doctoral Studies,the JAMU Theatre Faculty, 2013 and 2011

Presentations at International Conferences

  • The Textual, the Performative and the Political: Czech Documentary Theatre after 1989. Shifts in Contemporary Drama after the year 2000 Conference, 7 – 9 October 2021, Slovenian Theatre Institute, Ljubljana, Slovenia
  • Redefining Theatre’s Social Function: Erika Fischer-Lichte and Joachim Fiebach on German Theatre after 1989. Theatre Ecologies: Environment, Sustainability and Politics, International Federation for Theatre Research (IFTR) congress, 12–16 July 2021, National University of Ireland, Galway
  • Redefining the Political Theatre?: Czech Theatre in the Early 1990s. Redefining Theatre: Theatre and Society in Transition, 28–29 May 2021, Institute for Theatre Studies, Freie Universität Berlin, Germany
  • Redefining the Political?: Czech Theatre and the Public Sphere after 1989. Dialogue, Performance and the Body Politic in the Twenty-First Century Online Conference, 5–6 February 2021, Department of Anglophone Literatures and Cultures, Faculty of Arts, Charles University, Prague, Czech RepublicVáclav Königsmark, Jan Mukařovský and Searching for the New Social Fuction of Czech Theatre after 1989. Post-November Changes: Czech and Slovak Literature in the 1989 Context, 30–31 October 2019, Czech Academy of Sciences, Prague, Czech Republic [in Czech]

  • Postmodernism Migrating into a Systemic Crisis. Theatre and Migration: Theatre, Nation and Identity, International Federation for Theatre Research (IFTR) congress, 9–13 July 2018, University of Belgrade, Serbia

  • Struggling for Relevance: Post-1989 Crisis of Czech Theatre. Systemic Crisis in European Theatre, 27–28 April 2018, held by the Royal Central School of Speech and Drama and the Ludwig-Maximilians-Universität München at the Goethe Institute in London, United Kingdom

  • Delegitimizing Performance. Unstable Geographies: Multiple Theatricalities. International Federation for Theatre Research (IFTR) congress, 10–14 July 2017, Universidade de Sao Paulo, Brazil. Paper delivered within the “Political Performances” working group.

  • How to Know How: Interdisciplinary Model of Artistic Research. Theatrology’s Perspectives. Conference of the Czech Association of Theatrologists, 17-19 May 2017, Prague, Czech Republic, together with Tereza Konývková, Lucia Repašská and Jan Motal [in Czech]

  • Artistic Research: Prolific Innovation or Pragmatic Tool? Turn Mirrors into Windows. European League of Institutes of the Arts (ELIA) 14th Biennial Conference. 30 November–3 December 2016, Palazzo Spinelli, Florence, Italy

  • Tracing Ideology: How to Make Theatre Reviews Speak to Us. Presenting the Theatrical Past, International Federation for Theatre Research (IFTR) congress, 13–17 June 2016, Stockholm Universitet, Sweden

  • Resisting Stratification in the Cold War: Western and Eastern Theatres in the Joint Production Together (1983). Theatre and Stratification, International Federation for Theatre Research (IFTR) congress, 28 July–1 August 2014, University of Warwick, England, United Kingdom

  • Touching the Invisible: Representation, Authenticity and Transformation in Handa Gote´s Clouds. Layering Reality: the Right to Mask, Prague Quadriennale international symposium of scenography, 31 October– 1 November 2013, Studio Hrdinů, Trade Fair Palace, Prague, Czech Republic

  • Shakespearean Majesties and Fools in the Pre-revolutionary Czechoslovakia: Shakespearománie I at the Theatre On a String, 1988. Chronicles of the Time: Shakespeare in Central Europe, 28 November 2013, Academy of Performing Arts Bratislava, Slovakia

  • "Making History" in the Current Czech Alternative Theatre. Opening symposium of the project Contemporary Central European Theatre: Document/ary versus Postmemory. International Alternative Culture Centre, 19–20 October 2012, Open Society Archive, Budapest, Hungary

  • Today, What Are Theatre Reviews from the Communist Era for?. What Was There Before the After?: Reflecting on the Past in Post-Socialist Countries, conference organized by the Contemporary Drama Festival, 27–29 November 2008, Budapest, Hungary